Wednesday, March 19, 2014

GOING TO HELL, THE REVIEW!!! TAYLOR MOMSEN

Album Review The Pretty Reckless - Going To Hell
Taylor Momsen
by Darkzen



Greetings! Readers Friend ! Here I leave my analysis / review as I want to see this great album of Taylor Momsen !

Here is a bit of it ! Who is this Angel Rocker ! Source taken from official biography

Taylor Michel Momsen is an American actress , model and American music , known for playing Jenny Humphrey in the television series Gossip Girl, and Cindy Lou Who in The Grinch movie . Currently he is the lead singer of the rock band The Pretty Reckless .

The Pretty Reckless is an American hard rock band originally from New York, currently composed of Taylor Momsen ( Gossip Girl actress ) ( vocals and rhythm guitar), Ben Phillips ( lead guitar, vocals ), Mark Damon (bass) and Jamie Perkins (drums). In 2010 , the band signed with the label Interscope Records and released their debut album Light Me Up , which debuted in sixth place in the United Kingdom and resulted in the top-100 in several countries





Line and invited people

Taylor Momsen - vocals
Ben Phillips - guitar and backing vocals
Mark Damon - bass
Jamie Perkins - drums

Jeremy Gillespie - harmonica on "Waiting for a Friend "
Jenna Haze - backing vocals on "Follow Me Down"

We will go the review !

"Follow Me Down"

Very hot entree! Excellent pace between the song and the voice of Taylor, strong, abrasive and aggressive voice! Heavy guitars, those pauses give a warm touch of rebel Pure Hard Rock, battery missing something, change clean and clear voice, the time duration between song and speech is harmonious, hard way! The voiceover exciting Jenna Haze!

"Going to Hell"

Great aggressive entry into its finest, strong! Heavy and dense guitars, the track slower pace, pauses between voice and great song, apprehensive, and fulminant abrupt end! With sounds from heavy to light.

"Heaven Knows"

Good atmosphere with school background sounds, rebellious era! Many of us, loudly maintaining the status of the song, transition times between voice choir and creative battery!, Sharp guitar riffs, excellent battery! Increased presence, speed of the slowest song, ending with light student choirs.

" House on a Hill "

Cardiac input ! Dramatic atmosphere , acoustic guitar Taylor 's voice fits perfectly with the musical tone of the guitar, maintains that vowel acuity , lighter battery , ballads more than anything in this track , clean and quiet voice, here we can hear the vocal ability detail fine Taylor! Final heart !

"Sweet Things"

Powerful entry! Fast ! That riffs ! He is a heavy and dense but end Cobinacion male voices and female track smoother , perfect times between pauses and continuity, guitars and drums sound in balance and somewhat loose .

" Dear Sister" *

A very soft and subtle entrance, sublime voice line, a fully atmospheric song, and after short time.

"Absolution "

Excellent acoustics, loud entrance, passage of ready and hard drums, regular track speed , voice soft and relaxed Maintaining great Taylor tone and timbre suited the theme of the rest of the tracks.

"Blame Me"

Sublime entry , clean voice with a smoother and more expression in her vocal range extension , latent light guitars and drums, intermediate track speed , time between the song and the voice of Taylor balanced .

" Burn"

Excellent acoustic / ballad for sure! Taylor 's voice delights our ears , clean and serious at the same time voice, falsetto coupled small track but I definitely like the previous entry to the next song !

" Why'd You Bring a Shotgun to the Party"

Very different from the previous entry , similar to the previous tracks density , speed starts to drop, but the intensity remains strong ! Those strong vocals give a perfect touch of strength and toughness ! Excellent with the sounds of gunfire in the background! It gives more life to the song and fierceness !


"Fucked Up World"

The strength and become wild, and strong guitars and heavy drums in the voice track speed is average, what strikes me is the difference between the theme of each song and style between each, the voice of Taylor not low intensity ! It fits perfectly to these changes in both speed and strength as I said above !

"Waiting for a Friend "

A totally relaxing song with a very American, sublime and elegant in her voice , clean and low in intensity , the song speaks for itself the subject of your letter, and that harmonic gives a very special southern flair !

Going To Hell and Sweet Things in Acoustic

Both versions are good performances in each duality and can hear how well this worked her voice, a more sublime and the other more daring and really , the voice you Taylor is phenomenal, his vocal range is not as sharp , and there's your limiting, but severe is excellent , strong and rough ! To the style of the song! Really! A sign on his vocal quality!

 Kill me and you Only

In these songs for the Japanese and international edition as a bonus , are very similar to each other , speed , style, unless you kill it is me denser and heavier , and voice, more sublime and soft, speed voice and song are coupled , sequences background give the wicked and rebellious touch !

Originality: 10/10
Covert Art: 9/10

My recommendation: 9.5/10

It really is a strong, aggressive and whit content erotic album, a combination of styles found, an excellent album of Hard Rock! There is continuous, there are strong and heavy tracks, more lightweight and sensitive tracks, Taylor's voice is strong and is maintained throughout the disc, the initial songs are catchy and some intermediate, the differences between the acoustic and the songs recording are excellent musically minimal differences, but it is the same voice! And that surprised me! And I like it because it does not lower your level! It really is a well made and recorded music.

The presentation of the album is very bold and sexy! With a body exposure Taylor oriented with a clear message to an adult audience, which also letters say it all and advances in the videos! Which wow! My friend Taylor, excellent! The next album I hope even more heaviness!





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